Why do we do it?
That question came to mind via a circuitous route. A colleague asked me how my sales were going and I thought, 'I haven’t a clue'. My next thought was, what’s wrong with me? Shouldn’t I be in tracking mode?
I’ll admit to being terrified when A Killer Read came out, that no one would buy the book. When it hit #2 on the Barnes & Noble bestselling list and #28 on their overall list, I was gobsmacked and then heaved a sigh of relief.
The terror then shifted to the reviews and assorted comments from readers. What do you know…they liked it, generally speaking. There was the reader who didn’t finish it because there were too many references to other titles and their authors. Uh…that’s what the book’s about. There was the email from the reader who pointed out an author error. I thanked her, pleading carelessness. What I really meant was a brain that wasn’t functioning at the time. But in general, the book was well-received.
But I’d never thought to track the sales. Sure, I’m hoping they’re strong so that the series will continue. But basically, I’m writing it because I enjoy doing so and also, because I want readers to feel a connection to the characters and setting.
I feel challenged each time I re-enter this world I’ve created and try to choose the right words, plant the enticing clue, play logic games with myself, and basically make it all make sense.
I think most writers write for themselves first, for the readers second, and thirdly for all those other trappings. Do you agree?
However, I'm now wondering how those sales are doing...
Linda Wiken/Erika Chase
A KILLER READ
Berkley Prime Crime, now available
READ & BURIED, coming Dec., 2012