On a visit to the breathtaking exhibit at the Royal Ontario Museum, a retrospective
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Surely this is an easier question for mystery writers whose detectives, amateur or professional, must solve the puzzles and identify the killer. But maybe not so easy. Recently on Dorothy L there was a protracted discussion about the length of books, whether short or long books were better. This seemed irrelevant to me. Surely every author tells a story and knows when it’s done?
On the other hand, in an earlier blog Sue Pike pointed out that she was revising a short story because she’d gone on too long. Marion Pearson, wife of former Prime Minister Lester Pearson, when her husband asked how a speech had gone reportedly told him that he’d missed many excellent opportunities to stop.
If in doubt is it better to stop too soon, to leave the reader wishing there was more? Or should you work away answering all questions real or implied and give the reader no opportunity to fill in the blanks to her satisfaction?
And in the same vein how much does the reader want to know about the principle
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Joan Boswell A member of the Ladies Killing Circle Joan co-edited four of their short story anthologies: Fit toDie, Bone Dance, Boomers Go Bad and Going Out With a Bang. Her three mysteries, Cut Off His Tale, Cut to the Quick and Cut and Run were published in 2005, 2007 and 2007. In 2000 she won the $10,000 Toronto Star’s short story contest. Joan lives in Toronto with three flat-coated retrievers.
That looks like a must-see show. Gorgeous pieces. He clearly knew when to stop.
ReplyDeleteWonderful pieces. I'm not really sure what the answer is...I do remember in some critiquing sessions when it was suggested the final paragraph or two could be left off and it made a much stronger ending. I think by nature we like to tidy everything and end the stories on that note.
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